{"id":4639,"date":"2021-09-25T21:03:22","date_gmt":"2021-09-25T21:03:22","guid":{"rendered":"https:\/\/35.diskursfestival.de\/?p=4639"},"modified":"2021-10-13T11:27:43","modified_gmt":"2021-10-13T11:27:43","slug":"human-sound-ii","status":"publish","type":"post","link":"https:\/\/35.diskursfestival.de\/en\/human-sound-ii\/","title":{"rendered":"Human Sound II"},"content":{"rendered":"
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Access on even ground. Bus stop in front of venue. Barrier-free toilet provided.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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This Performance will take place in English. <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Human Sound II<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Human Sound II<\/strong> is a continuation of an ongoing research of a sonic world of humans. This time we are creating an experience of a one-on-one concert of compositions made by various composers trying to express the existence and their relationship with one particular person – En Ping Yu. A bigger part of the compositions was created using sounds only from a sound collection recorded from En Ping Yu’s body and movement. To compose these pieces the creators used different methods, the compositions later turned into chapters and were combined with different media to experience this concert.<\/span><\/p>

The Human Sound II experience for one person opens up into a concert of human body music and a different stretch of musical imagination, over layering one another to bring the audience back to their own selves.<\/span><\/p>

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16 OKT 12.00-19.00<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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This event will take place in presence.<\/b> statt. <\/p>

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You can book a time-slot for the one-to-one performance.<\/b> gebucht werden.<\/p>

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The registration for the event is not possible anymore.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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About the artists<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Egl\u0117 \u0160im\u0117nat\u0117, En Ping Yu & Valtteri Alanen <\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Egl\u0117 \u0160im\u0117nait\u0117<\/strong> – a Lithuanian creative director, performance artist, theatre and cinema actress, working in a wide field of artistic research and practice, often collaborating with other artists and creatives. Holding a BA in Theatre Studies, she has a colorful background of directing, performing on stage in both classical and contemporary theatre performances, assisting internationally. Egl\u0117 has been active in theatre and performance since 2015. Her experience in a creative field comes\u00a0from working in a number of independent interdisciplinary projects as well as in movie sets. The source of inspiration for this flexible and talented artist is a need for diversity, passion for human senses, seeking to find the core of things. She is investigating humanity as species and the human traits we share \u2013 senses, empathy, curiosity, ability to care and connect.<\/p>

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\u4e8e\u6069\u5e73 Yu En Ping<\/strong> is a Taiwanese artist, puppet-maker and performer from Taipei, currently based in Prague, Czech Republic. She refines her craft by exploring different materials, her performances revolve around the use of the body and its interactions with puppets and objects. She works with theater groups and performing artists both locally and worldwide, and develops her solo career through independent projects.
She takes theatre as a place for dialogue (verbal, physical, mental), and focuses on facilitating, devising situations that allow exchange to happen.<\/p>

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Valtteri Alanen<\/strong> is a young multi-disciplinary performer, performance maker, sound-
designer and musician working from and between Prague, Czech Republic and Turku, Finland. He\u2019s a formally trained puppeteer, actor since the age of seven, and an audio engineer by trade. Artistic influences central to him range from musique concr\u00e8te to acoustic ecology, and from the dramas of Sofokles to the contemporary puppetry of Ishmael Falke. Valtteri is comfortable in working in a multitude of artistic contexts, and a variety of languages, including (in order of fluency) Finnish, English, Swedish and
lately Czech. Most often you can find him working in Studio Alta, Prague, Tehdas Teatteri, Turku or studying for his MA in DAMU, the theatre faculty of the academy of performing arts, Prague.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Ebenerdiger Zugang. Bushaltestelle vor dem Veranstaltungsort. Barrierefreie Toilette vorhanden. Diese Performance findet in englischer Sprache statt. Human Sound II Human Sound II is a continuation of an ongoing research of a sonic world of humans. This time we are creating an experience of a one-on-one concert of compositions made by various composers trying to express […]<\/p>\n","protected":false},"author":1,"featured_media":2768,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[26],"tags":[],"class_list":["post-4639","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-praesentation","entry","has-media"],"_links":{"self":[{"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/posts\/4639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/comments?post=4639"}],"version-history":[{"count":167,"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/posts\/4639\/revisions"}],"predecessor-version":[{"id":9308,"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/posts\/4639\/revisions\/9308"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/media\/2768"}],"wp:attachment":[{"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/media?parent=4639"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/categories?post=4639"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/35.diskursfestival.de\/en\/wp-json\/wp\/v2\/tags?post=4639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}