TEAM35
The curation team of DISKURS35 says thank you for the support of our helping hands.
We especially want to thank Shyamala Amurugam (catering), Judith Bethke (critique talks), Marie Engert (tech), Frithjof Gawenda (tech), Luise Hess (ticketing, installation maintenance) Daniel Kailer (party), Leonie Kopineck (party), Olan Mamai (artist care), Dana Maxim (streaming), Petros Panagopoulos (artist care), Susanna Rydz (critique talks), Laura Salerno (festival center), Wolfgang Schmalz (catering), Sophia Scherer (catering) and Merthe Wulf (tech dispo).
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Martin Müller was a tailor in the past and is a student in the present. The path from textile to theatre is too long for a short vita, that’s why we jump directly to Gießen here - even if it is downgraded to a stopover right away. DISKURS is his last project at the Institute for Applied Theatre Studies, for the time being. After that Weimar is the next station. Branchings are typical for paths; the word theatre transformed into the word performance - but all the other formats are okay too. From the past the text remains as residue: Martin works for an editorial office now. The master’s programme will give opportunities to explore the hybrid and the transdisciplinary even further. Maybe the text will get the I, the L, and the E back as accomplices at some point.
Greta Katharina Klein is a curator and organizer of the festival DISKURS35. She is interested in creating the festival as an assembly place for a discursive exchange.
Greta studies at the Institute for Applied Theatre Studies in Giessen and realizes collaborative artistic projects there. In addition to her studies, she works as a production assistant and production manager.
She was involved in the Theatermaschine 2019 and the Implantieren Festival 2020. Also, Greta worked as an assistant director at the Freilichtspiele Schwäbisch Hall e.V. and was part of the one-year theatre project THEATERTOTAL in Bochum in 2017/18.
Jannika Lösche (she/her) studies Applied Theater Studies (BA) in Gießen. Prior to her studies, she completed an internship at tanzhaus nrw, Düsseldorf, where she also worked for the production of the Hi, ROBOT! Festival in 2019. Her work Großes Pils und dazu: was invited several times for the Freie Schichten Festival Lingen (Ems).
As a musician and sound artist she produced among others as a part of Murmelkollektiv the series Murmelbahn: Bedtime Stories for Adults which was shown via the student radio wilsonstrasse.FM for which she also works in the organizational team.
Kathrin Frech (she/her) studied Applied Theater Studies at JLU Gießen and at the Academy of Performing Arts in Prague from 2017. As a freelance artist, she was already present at Seriale 2021, at the Bundesfestival junger Film 2021, the HTA Werkschauwoche, as part of the Leipzig radioplay-summer and the Internationales Frauen-Theater-Festival 2021, with mostly collectively developed projects that revolve around the sweet spot of female amateurism. She is currently working as a curator and organizer for the international performance festival DISKURS35. From October 2021 she will start studying stage and costume design under the direction of Barbara Ehnes at the HFBK Dresden. In 2021 she also became part of the organization team of the hungry eyes festival 2022.
Daniel Cordova currently studies at the Master of Applied Theater Studies at the Justus-Liebig University in Giessen, Germany. In 2010 he graduated in Performing Arts from the University of São Paulo (ECA-USP). He has worked at the production office prod.art.br as production manager and editorial coordinator for theater and dance guest performances, exhibitions and multidisciplinary projects of foreign artists, collectives and institutions in São Paulo, furthermore as independent producer of theater and dance artists and collectives from the local independent scene, in short or long-term collaborations. In 2018 he was resident for 3 months at the dramaturgy of the Künstlerhaus Mousonturm in Frankfurt am Main. In 2021 he co-curated the series of talks on dramaturgy "entre:dramaturgismos", with an accompanying publication, in collaboration with Goethe Institut São Paulo.
Leena Schnack (b. July, 1999) works as production manager and curator for the 35th edition of the DISKURS festival. In 2018 she started her studies in Applied Theatre Science in Giessen and has been there ever since. She gained experience in theater before and during her studies, including internships (e.g. SCHAUSPIEL FRANKFURT) and a lot of acting, neither of which she surprisingly misses at all. In addition to her studies, she worked freelance in public relations at Stadttheater Gießen for a year. Now, even though she hardly has the time, she works on some of her own artistic ideas, which mostly include written texts and some video works and, above all, tries to find a way to formulate a concept for her bachelor thesis.
Paula Elena Noack (Frankfurt am Main) is studying her Master of Applied Theatre Studies in Gießen, where she realises collaborative art projects. Before her studies she worked as an assistant director for several theatre productions and directed independent performance projects with teenagers. In her artistic work she is interested in sound dramaturgies and the reflection on how they connect with their surrounding as well as their interdisciplinary use in performance and installative arts. She was involved in projects that were invited to HTA Werkschauwoche and NAKT Festival Hamburg as well as shown at the Digital Mousonturm. She also directed an audioplay which was awarded with the first prize of Kurzhörspielwettberwerb of Leipziger Hörspielsommer.
She is currently working as a curator and organiser for the DISKURS35 Festival. Her specific interest lies in creating a collective diskurs on how culture can be thought in the future.
Nastya Dzyuban works with art, dance and choreography. She was born in Kyiv, Ukraine and is currently based in Gießen, Germany. Since 2015 Nastya has been developing her artistic practice and interest and creating performative works, mostly in collaboration with her close friends and colleagues. Her artistic interest embraces the intersection of theater and choreography dispositives as well as topics such as potentiality, displacement and the notion of common. Her works were presented in Kyiv, Frankfurt, Bochum and Mannheim. Currently Nastya is finishing Master program in choreography and performance in Gießen. She received danceWEB 2021 scholarship and is co-curating Diskurs35 and Hungry Eyes 2022 festivals.